posted by admin on Dec 11
My practical exam for the Chef Training Program at the Natural Gourmet Institute is finally over. After stressing about it for weeks and really stressing for days and spending hours plating last Sunday (although I wish I’d done it more than that), it’s behind me.
The exam was taken on 2 separate days by the 2 Friday Night Dinner groups. My group (B) was up first because group A was gearing up for its Friday Night Dinner. We had to create an entrée incorporating 5 elements: bean, grain, green, sauce, and garnish. My plate was—
Grilled Portobello Steak
Grilled Sweet Potatoes with Cilantro-Lime Dressing
Herbed Polenta
Cracked Chickpea Salad
Sauteed Kale
Roasted Red Pepper Sauce
Lime zest curls for garnish

My final plate
I did okay, but to be honest, my score was a huge disappointment. It wasn’t a bad score, but it wasn’t what I was hoping for. The instructor complimented my dish in many ways, but I got points off for numerous things. Here’s the rundown:
Bean: He really loved the chickpea salad. It was “sophisticated” with just the right amount of seasonings and heat. Not to little, not too much.
Green: The kale was chewy and not very edible. He said it was the nature of the kale they’d been getting at the school lately—tough. It lent itself more to a moist heat method of cooking, rather than the way I had prepared it, which was to sauté it in garlic and oil. I knew it was chewy, but I didn’t think it was that bad.
Grain: He loved the way the polenta looked. It was vibrant, and he could tell that I’d thrown the herbs in towards the end because it retained their fresh look. But it needed to cook a little more. I’m used to using a finely ground cornmeal, like my mother uses, and that’s what I practiced with. I should have been more aware of the fact that the school uses coarsely ground cornmeal as polenta. However, upon research, I learned that most people will call for” cornmeal” or “coarsely ground cornmeal” for polenta recipes. Yet, one of my classmates, who was born and spent part of her life in Italy, said that she was used to the finely ground kind as well. Anyway, I was a little thrown off by the coarse grind, but I stopped the cooking when I thought it was done. My instructor apparently did not agree.
Sauce: The sauce went well with the mushroom but there wasn’t enough of it. He had to scrape together what I had put on the plate to accompany one bite of mushroom. To plate that dish again, he said, pool some underneath the mushrooms and just hint at the sauce on top.
Garnish: No comment. I took this as neither good nor bad.
Plating: He was glad to see that I’d used techniques taught at the school, such as the fanning of the mushroom and sweet potatoes. However, he felt that there was conflicting movement on the plate. The school teaches students to plate food in some kind of geometrical movement, upward and outward or circular. The elements on my plate were “competing against each other.”
Other comments:
The dish needed more acidity. I put a cilantro-lime dressing on the sweet potatoes, which should have taken care of the acidity. But since my dressing came out better at home than at school and because the jalapeno was strong, I didn’t want to put too much, so maybe he didn’t really pick up on the lime.
It needed more crunch. I put raw bell peppers in the chickpea salad, as well as walnuts. I asked him if he hadn’t picked up on them. He said he hadn’t.
Overall, though, he said that my dish was something he would enjoy if he had it in a restaurant. Considering that he used to be a chef at Le Bernadin in New York, that’s a great compliment.
It was rather heartbreaking to learn that at least 4 other people (out of 8 ) had received higher scores than me, and I got the feeling that out of a class of 15, the majority will have gotten higher scores than me.
In the end, no one will ask me what I got on my practical exam, but I will know what I got. I will always know that, despite my years of experience cooking, I received a less than stellar score.
But I have to shake off the baggage that this is putting on me and move on. I have to remind myself that not every day will be a red-letter day. Not everything I do will turn out the results I want.
And that’s okay. A score is just a number, not the measure of my worth or a mark of my capabilities. It’s not the individual brush strokes that count but the entire painting. This is a personal demon of mine, one that taunts me at every opportunity it gets. It’s time I kicked it to the curb.
Besides, if the chefs on Iron Chef, Chopped, and all those other chef competition shows have to deal with blows to their creations–not to mention their egos–then I guess I have to, too.